Description
Reading some interview with David Lynch he spoke of needing at least 70 scenes for a feature-length film. The idea here is to create scenes themselves, a scene of something that may or may not inadvertently or unconsciously develop character, theme, plot, etc; the SCENE itself is the story. And the SCENE itself can BE the entire story because of the projections of the READER(s). Every READER will have their own ideas, emotions, thoughts, "echo-ing words" that resonate with themselves as they experience the SCENE. the SCENE will have layered emotions, and will be different with each subsequent reading; the READER is as much a character in the story, does as much to the story as the WRITER, and in this case, the whole story is the SCENE. Some scenes may overlap, there may be themes present, a plot may present itself, characters may be the same or may be new, there may or may not be development; scenes might only be dialogue, or landscape. The READER(s) may go as deep into the SCENE as they wish, may form ideas about the SCENE which then themselves reinterpret how the SCENE works, or what is happening within it. The SCENE is the capturing, extrapolation, interpretation of the IDEA, which is a somewhat more compounded form of the THOUGHT, which arises intuitively in the MIND.