Description
Aliesha was always fascinated, fascinated with the way the acrobats would hurl themselves from bar to bar relying only on trust from their partner, to be hurled to the other side. The Carnival was always on her mind, on the ride home, on the way to school, at dinner. She loved it, the bright lights, the animals, the cotton candy, the booth games. When she was old enough she joined gymnastics, and then competed, and finally when she graduated from Acrobatics School she joined The Carnival as one of their very own trapeeze artists. Aaron on the other hand detested it. For him it was too loud, too crowded, he could never even dream of winning those rigged booth games and those wretched roller-coasters, they went WAY too high for Aaron. Aaron always tried to stay away from carnivals, and that's what he did. After claiming his degree in architecture he went on with his life, avoiding The Carnival. A few years down the line and The Carnival is starting to rust, it's not all smiles anymore, it's not all bright lights anymore, and business runs slower every day, it's just not the same. And that's when the city decides to demolish The Carnival altogether. Aaron, head architect of the city, is to head down to the site , and inform the owner immediately. But that's when Aleisha comes in, despite their clash of personalities they agree on a deal; The Carnival must reach maximum capacity on The Fourth Of July, the income must go through the roof and pay off the debt they're in. It must also fill the seats inside the circus and amaze the crowd like never before. If they fail to do so, The Carnival's as good as gone.
Carnival Chaos
